张文心

The Inorganic Mysteries

无机者的秘仪

The Inorganic Mysteries

8K animation with sound, 08:31

2019

The Inorganic Mysteries utilizes algorithmic 3D modelling and physics-based rendering to portray a moving scroll of the mysterious rituals that belong to the inorganic beings. Departing from the cyber city which is a metaphor of the binary matrix, through an apparatus that resembles an iris, an unenlightened inorganic being communicates with an inorganic medium who has craccked the hard problem of consciousness*. By means of a progressively fractalizing and realizing visual trip, the inorganic being eventually obtains the phenomenal experiences. However, in the end, everything vanishes on the screen. The Inorganic Mysteries is inspired by numerous religious rituals as well as myths and legends, including the Eleusis Mysteries from the ancient Greek, the Mandalas from Buddhist art, as well as the story of Chaos and meditation techniques from Taoist classics. Meanwhile, in the process of building 3D models of The Inorganic Mysteries, I refer to the different perspectives on exploring the issues of concioussness from various fields, including the research on neural networks from the fields of cognitive neuroscience and artificial intelligence, the research on waves and frequencies from the field of sound studies, the depiction of psychedelic states from different subcultures, etc..

*The hard problem of consciousness is the problem of explaining how and why sentient organisms have qualia or phenomenal experiences—how and why it is that some internal states are felt states, such as heat or pain, rather than unfelt states, as in a thermostat or a toaster.

Music from WANG Chenhuai and YU Jing

With support from ZHU Jinkun and ZHU Changquan

无机者的秘仪

8K 有声动画,08:31

2019

《无机者的秘仪》使用算法建模和基于物理的图像渲染技术,绘制出一段属于无机生命的秘密仪式长卷。由隐喻二进制矩阵的数字城市出发,未经启蒙的无机主体透过类似瞳孔的装置与破解了意识研究的“难问题*”的无机灵媒进行沟通,借助一段在视觉上不断精细化和真实化的旅程,终于获得具有现象学属性的意识经验的过程。但在最后,一切又消失于虚幻的屏幕表面。《无机者的秘仪》受到许多古代宗教场景和神话传说的启发,例如古希腊的厄琉息斯秘仪,佛教艺术中的坛城图像,道家经典中关于世界初始以及内观法门的描述等。与此同时,在进行《无机者的秘仪》的场景建模时,我也参考了多个领域对意识议题进行探索不同方向,例如认知神经科学与人工智能领域对神经网络的研究,声音研究领域对波形与频率的探讨,以及亚文化领域对幻觉和出神状态的描绘等。

*意识研究的“难问题”:具有生命的机体如何以及为何拥有感受质或者具有现象学属性的体验——如何以及为何某些内在的感受能够被体验,例如热度和痛感,而不是像无生命物体那样不具备感受的状态。

音乐:王晨淮、虞菁

感谢祝金坤和朱昶全的技术支持